An English translation of a verse is as follows “God save Francis the Emperor, our good Emperor Francis! Long live Francis the Emperor in the brightest splendor of bliss! May laurel branches bloom for him, wherever he goes as a wreath of honor? God save Francis the Emperor, our good Emperor Francis! After time the song was adopted as the Austria and Germany national Anthem. The song was written when Austria was threatened by France. The “Emperor’s Hymn” was composed in 1799 and was written about the Emperor Francis II. At the age of 77 Haydn died a recognized musician all through Europe. He continued to write music but an illness prevented him from composing. He did several tours before returning to Vienna. He spent thirty years working for the family, until the prince died and the new one released all the musicians from duty and that allowed Haydn to travel to England to compose. After years of struggling he landed a job with a wealthy Hungarian family, the “Esterhazy” family hired him as a court musician. Haydn moved on to become a freelance composer and struggled finding work. He advanced quickly and learned how to sing as well as play instruments. At the age of six the family sent Haydn to live with a family friend and become an apprentice to learn music. Although his neither of his parents could read music, they realized that their son is musically talented. He lived a long and diverse life until he died in May of 1809. The trio ends with a transition back to dominant of the main key in preparation for the return to the minuet.Franz Joseph Hayden was born in March 1732 in Austria. Like in the minuet, this trio's B section emphasizes the relative minor (in this case, G minor). The trio is in B ♭ major, and uses the oboe and bassoon extensively. The minuet section consists of a rounded binary (A,B,A') form with an opening section emphasizing the tonic, while the second section visits the relative minor (B minor) and the dominant (A major). The third movement is a minuet and trio in D major. The rest of the movement consists of a modification of the first section of music, with several changes in rhythm and more prominence to the winds, especially the flute. After arriving on the dominant of G major, the music of the first section returns. From here, a second section begins which modulates to various other keys, including G minor and B ♭ major, but continues to feature the melody of the main theme. After this, a brief episode highlighting A minor and D minor leads to a modified repeat of the main theme in both strings and bassoon. This movement, in G major, opens with the main theme in the strings. The movement closes with a coda, also in D major. It uses imitative patterns of the woodwinds in the second theme. In the recapitulation, the first theme is heard again in D Major. The development ends with the full orchestra. The exposition closes with a codetta and is followed by the development which begins in B minor, using the rhythmic pattern of the second half of the theme. The theme goes straight into A major with the woodwinds to form a second theme. The exposition is in D major, with the strings playing the first theme. The movement is monothematic: the second theme is simply the first theme transposed to A major. Opening theme of the main portion of the first movement ![]() The work is scored for 2 Flutes, 2 Oboes, 2 Clarinets in A, 2 Bassoons, 2 Horns in D and G, 2 Trumpets in D, Timpani, Violins 1 & 2, Violas and Cellos. I made 4,000 gulden on this evening: such a thing is possible only in England." Scoring ![]() The premiere was a success Haydn wrote in his diary "The whole company was thoroughly pleased and so was I. The work was composed in 1795 while Haydn was living in London, and premiered there at the King's Theatre on, in a concert featuring exclusively Haydn's own compositions and directed by the composer. In Germany it is commonly known as the Salomon Symphony after Johann Peter Salomon, who arranged Haydn's two tours of London, even though it is one of three of the last twelve symphonies written for Viotti's Opera Concerts, rather than for Salomon. It is the last of the twelve London symphonies, and is known (somewhat arbitrarily, given the existence of eleven others) as the London Symphony.
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